Franciscan Order
The DecameronThe Franciscan Order appears in the Decameron through the lay religious affiliation of Puccio di Rinieri, whose devotion in later life led him to become a tertiary and to be known as Fra Puccio. The episode gives a specific, limited picture of that affiliation: Puccio’s religious routine and the title attached to it, set against the deception Dom Felice carries out in his household.
Identity and Affiliation
Puccio di Rinieri is described as an honest, wealthy man who, in his later years, devoted himself altogether to religious observances and became a tertiary of the Franciscan Order. The accompanying explanation defines a tertiary here as a lay brother or affiliate. The story thus places him within the order without presenting him as a conventual monk or supplying a wider account of Franciscan organization.
After joining, Puccio was styled Fra Puccio. His title marks his religious commitment, but the narrative continues to identify him as a householder: he has a wife and a maid, and no craft to occupy him. The contrast between his lay domestic life and his devotional identity is essential to the episode’s setting.
Religious Practice in the Story
Puccio says his prayers, attends sermons and mass, and regularly joins the Lauds sung by lay confraternities. He also fasts and mortifies himself; the story adds that he was reputed to belong to the Flagellants. These details describe Puccio’s particular habits and reputation, not a general rule for members of the Franciscan Order.
His devotion shapes the household’s daily life. His wife, Mistress Isabetta, is young, and the story says that, because of her husband’s piety and perhaps his age, she endures longer and more frequent fasts than she would wish. When she seeks sleep or affection, Puccio instead recounts religious material, including the life of Christ and sermons. The episode makes his observance consequential not only as private worship but as a force governing their marriage.
The Order and the Episode’s Irony
The story does not accuse the Franciscan Order as an institution of Dom Felice’s misconduct. Dom Felice is a young, comely, learned monk of the convent at San Pancrazio, and Puccio befriends him because he answers Puccio’s religious questions and appears devout. Trusting that display, Puccio welcomes him into the household; Dom Felice then pursues an affair with Mistress Isabetta and devises a penance that keeps Puccio occupied while the lovers meet.
The comedy turns on a sharp mismatch between religious appearance and conduct. Puccio undertakes penance in the hope of winning Paradise, while Dom Felice uses the arrangement to enjoy himself with Puccio’s wife. The narrator’s closing joke recasts the result: the husband believes his austerities are advancing his own salvation, but the monk and Isabetta are the ones said to have found their way to Paradise. The episode’s target is the deception enabled by Puccio’s credulity and Dom Felice’s hypocrisy, not a detailed judgment on the order’s teachings or structure.